Mixolydian Using Major and Minor Pentatonics
You can easily achieve the Mixolydian feel by combining pentatonics.
You can easily achieve the Mixolydian feel by combining pentatonics.
Our May 2nd performance date has been moved to September 27th
Since our last post was on modulation, I thought I’d talk a little bit about one way in which we modulate—by using applied dominant chords.
A few months ago, an adult guitar student asked me about a concept called modulation. Since then, I’ve been thinking that it is time for a posting on the subject. Check it out.
Each month, we feature one of our very own students in our “Student Spotlight.” Here’s a Bold Music veteran, Felix Lopez.
In today’s posting, we’ll look at how to construct the basic 12 bar blues.
This posting deals with a topic I’ve been getting lots of questions about lately: enharmonic equivalents.
Well, the title of this posting pretty much sums it all up!
Yesterday, we looked at forming basic major and minor Barre chords with roots on the E string. Today, we’ll do the same on the A string.
In today’s post, we’ll look at two basic Barre Chord shapes. Once you’ve got the hang of these, you’ll be able to play any major or minor chord whose root is on the E string.
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